shure ksm8 vs ksm9

, In this article, you'll learn how to choose professional and budget, Copyright 2015 - 2023 Microphone Geeks LLC, AKG Pro Audio D7 Reference Microphone Review, Sennheiser e965 Review Switchable True Condenser, Shure Super 55 Deluxe supercardioid prop mic review, Sennheiser e845 review budget supercardioid, MaonoCaster E2 (AME2) review production audio interface for streamers, Maono PD400X USB / XLR podcast dynamic microphone review, Pixel Voical Lark X Wireless Lavalier System Review, Azden SGM-1X Short Shotgun Microphone Review. The KSM9 boasts a wide frequency range from 50 Hz to 20,000 Hz. Shure KSM9 vs Sennheiser E965 for Vocals. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. Our web address is www.shure.com. Does anyone have any experience with the KSM9? So if you need that extra sparkle and clarity to give your live sound the edge, then this could be the handheld condenser for you. Spitfire Audio Hans Zimmer Collection. He enjoys writing middle grade and YA fiction, doing traditional art, and keeping up with the latest anime series. You wont have the super resilience of a dynamic mic. The Shure KSM9 is a condenser microphone, so it does require phantom power. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). It is also available in both wired and wireless versions, which makes it ideal for use in a variety of settings. The casing has an integrated three-state pop protection grille, which acts like a pop-shield and reduces plosives, breath and wind noise. Singers with quieter voices will find that a live condenser mic can better convey the emotion and intimacy of their performances. The Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. Thank you for your request. KSM9 is also amazingly crispy and I find it quite amusing. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. To bring in more of the room sound, and the instruments around you, hold the mic 10 cm or more away from your mouth. Therefore, if you can afford this mic, go ahead and start digging that difference. The electronic circuit is maybe complex but it doesnt utilize any vulnerable components (such as triodes, crystal oscillators, etc.) For comparison the SM58 only reaches 15kHz. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. Any artist or singer who has enough money for professional gear could use KSM9. What's the problem with your 58? It has a sumptuous rich low end that isnt overpowering, smooth mids, and sparkling fizzy high notes. Polar Pattern Frequency Response 500 Hz 250 Hz 1,000 Hz 6,400 Hz 9,000 Hz 2,500 . The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. Both mics have their pros and cons, so it can be tough to decide which one to buy. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. Dualdyne capsule continues the ongoing evolution of microphone technology. Sweetwater's Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shure's KSM8 dynamic mic and KSM9 condenser mic. This delivers a more natural response throughout the vocal range, eliminating the need for a strong presence peak. Theyre probably best-known for their affordable handheld dynamic stage microphones. He is always eager to try new creative endeavors and uses them as inspiration in her writing. And lets hope youre not positioned next to the drum kit! The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. Off-axis frequency response is very smooth. Learn More. A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. Shure: KSM8 & KSM9 Microphones. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. No one has been able to do that before now, and Shure proudly describe it as The most significant dynamic microphone technology advancement the industry has seen in more than 50 years.. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. The KSM8 really is impressive for a dynamic mic. He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. The Neumann KMS105 is another live handheld condenser mic. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. Also, what's your use case, as this will probably help us guide you towards to best choice! The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. By applying our craft in market contexts, we deliver solutions that empower end users, energize the channel, and strengthen businesses. Q. Shure KSM8 vs Shure KSM9. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. KOHN MUSIC STORE. On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. The Shure KSM9 could be the best choice for someone who wants excellent sound but cannot afford a Neumann kms 105. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. . From those a reviewed, Heil PR35 would be the closest match in how it sounds while also being studio worthy. The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. This is a small, low voltage current sent to the microphone from a microphone preamp, mixing desk, or audio interface. Shure KSM9 is a professional on-stage condenser mic. Great site. It might be just what you need to take your sound to the next level. But theres one major difference between these two mics. This means an even, predictable low-end as the distance from the mic changes. You can easily make one of these out of stockings, or buy one here. See giveaway details & rules or check out our past winners! This means theyre prone to overload and distortion from louder singers. Confused about setting up your guitar? Go for the shorter lengths where possible. Between the KsM9 and the E935 which would be better for handheld studio rap/vocals? For many live situations, a decent dynamic mic may be good enough. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. For a better experience, please enable JavaScript in your browser before proceeding. Zippered Carrying Case for KSM8. 27 Wormwood St Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? The triple grille pop-shield handles plosives well, whereas the dual diaphragm design is very effective at reducing the proximity effect. This helps maintain richness and definition in the bass, without it becoming overwhelming. Shure Audio Institute. 1:12 Shure KSM8 Only Internal shock mount and capsule stabilization mean minimal handling noise. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. Shure KSM9 is a professional on-stage condenser mic. The Shure KSM9 microphone is a high-end vocal microphone that has been designed for use in live and studio settings. In the meantime, I want to focus first on the development of Shures remarkable new microphone. On first listen, the two mics have a similarly clear and transparent sound. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. As low as $62/mo. Shure KSM9 has a fantastic quality and it gives a very natural sound. The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. Then connect the output of the phantom supply soundcard. Are some types more durable than other similar in the live performance category? This dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. With a decent sound system, the KSM9 is startlingly clear and detailed. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. 3:26 What We Heard Bath If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. A supercardioid pattern is a little tighter around the mic, picking up sound around 57 degrees each side of the mic. Popular comparisons. It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. Inside, the microphone features a Class A, transformerless preamplifier circuit. I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. 965 more sensitive than the KSM, for me uses about 1/3rd less gain. Both mics share some internal design features too: they both have the dual diaphragm design, which delivers a nice smooth frequency response. Shure KSM9 Cardioid and Supercardioid Condenser Mic. Condensers offer a higher output level than dynamic mics, but theyre a lot more sensitive to loud noises, handling noise, and tend to break more easily. Shure QLXD2/KSM9. Check out the Shure KSM8 here:https://www.sweetwater.com/store/detail/KSM8N--shure-ksm8-dualdyne-nickelSubscribe to Sweetwater:https://www.youtube.com/user/S. Given the sensitivities of condenser mics, why would anyone risk using one on stage? I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. BACK. The KSM8 microphone is available in a black or brushed-nickel finish. Aside from singers, weve seen it working foracoustic artists too, for example guitar players etc. I also noticed how the mic bodys tapering shape and weight distribution automatically guides a natural hand position well away from the grilles rear entry ports. Its worth noting that the E965 is a bit cheaper than the KSM9. New Release: EDM Expanse (Construction Kits). However, the KSM9 has this covered. . Strategically positioning and bringing to life new brands. Handling noise is extremely low and never gave any problems, even when I was deliberately trying to be clumsy! In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. In Summary. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. The views expressed are those of the contributors and not necessarily those of the publishers. . Best mics for budget filmmaking and video production, 7 Best Headworn Mics for Wireless Systems Review. Now is the perfect time to get the gear you want with simple, promotional financing. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. This mic has a number of features that make the overall experience even more enhancing First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. Shure Tech Portal open_in_new. Turn your old gear into new gear with the Sweetwater Gear Exchange! The BLX88 is the two-channel version of the BLX4. Its most sensitive on-axis (at 0 degrees), but also picks up sound around 65 degrees either side of the mic. The KSM8 is a dynamic mic, whereas the KSM9 is a condenser. Not much help for the marginal types, though. Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. 531 171. Its similar in design to the classic Shure SM58, but with a squarer grille at the head of the microphone. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. KSM8 is a dynamic with a darker tone. What else do you need for your home recording studio? Shure KSM9. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. Microphone sound absorption and reflection. Shure describe the KSM9 as the first-ever handheld condenser with dual diaphragms and switchable polar patterns. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. JavaScript is disabled. For quieter, well-controlled stage environments, (or in-ear monitors) the cardioid pattern sounds great. Sound Quality. The sound engineer will normally mute the mic from the mixing desk when needed. Unusually for a stage vocal mic, the response is largely flat between 100Hz and 10kHz and the substantial presence peak found in most stage vocal mics is absent in the KSM8. And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. This extended high range will give your vocals that extra sparkle and clarity, and a more open authentic sound. Available colors: User rating: 71. 71 user ratings. 965 seriously cuts through the muddiness very crisp high end.